Future Media Concepts Presents: Editing Tech 101

Heavily involved in many aspects of post-production, Word Wizards realizes that editing is where the magic begins. And choosing the right editing software for your project—Adobe Premiere, Avid or Final Cut—is essential. A huge thank you goes out to TIVA who recently sponsored an incredibly informative panel discussion at Future Media Concepts, Comparing Editing Platforms, which addressed the issue. Panelist included three talented editors, Virginia Quesada, Sylus Green and Matthew Nagy. Attendees spent half an hour with each editor to learn about their preferred editing software.

Avid Media Composer:

Avid editing platform.

 

Virginia Quesada a well-known trainer and editor at Future Media Concepts demonstrated Avid Media Composer. She explained that the software easily handles transcoding and consolidation. And how the software efficiently cleans movie files and copies them for editing. According to Quesada, Avid Media Composer imports and accommodates footage from the 4K camera without difficulty while the point tracker effects allows you to simply and seamlessly change the frame of an object within an image. The corrective effects like color correction are smooth are easy to use by editors of all levels.

Adobe Premiere

Adobe-Premier

Editor Matt Nagy explained why he is such a big fan of Adobe Premier. The importation of files by the software does not require transcode and works with most formats. Premiere also plays seamlessly with the rest of the Adobe family of products including Photoshop or After Effects. For example, an audio clip you are adjusting in Premiere can be dropped into Adobe Audition for tweaking then returned to Premiere.  And the warp stabilizer that smoothes out your footage gives more of a steady cam look. Important to note: Adobe offers comprehensive support for camera formats and plugins immediately after release.

Final Cut Pro

Final-Cut-Pro

Editor Sylus Green explained that Final Cut Pro Version X is very different from Version 7 and this has frustrated many users since it was missing some features they had become used to. Because of the criticism, Apple returned some of the functionality that editors demanded into the program through updates. This included reinstating features such as multicam editing, XML support, Red camera support with native REDCODE Raw Editing and editing individual audio channels right into the timeline.  And the cost of FCP X at $299 is less expensive when compared to other editing software. Green praised the keyword and smart collection tool in FCP X that aids searches, and is a favorite among documentary makers. The retiming tools of X allow you to manually affect the speed of a clip by simply dragging a bar over it. In FCP X the multi-cam editor easily and quickly syncs your work, a big change from the clunky FCP 7.

The Perfect Fit for You

While each of the different software had their own strengths, there were a few downsides. Instead of simply purchasing the software, with Adobe you must subscribe on a monthly basis to use all the features. However, Adobe, Avid and Apple all allow you try their software for a trial period. Different editors like different features, so try before you buy!

 




A TIVA Era Begins

A TIVA Era Begins

Staff of the 2014 TIVA Board

Following the successful TIVA presidency of Jerry Griffith with many innovations and a record membership, Brian Grundstrom now steps into Jerry’s shoes and takes over the reins. Formally Vice President of TIVA, Brian offers an insider’s view and super-charged ideas for growing Television Internet Video Association to the largest affiliation of video production professionals in the mid-Atlantic region. His fiery dedication and attention to detail will assure the association’s continued success.

New board members include: Jonathan Stein, head of the programming committee following the popular Jim Miller. Tara Garwood, secretary and head of the publications chair is taking over for Carl Randolph who is now the PEER Awards chair. New board member Bill Coughlan is serving as the current vice president while Todd Clark acts as the government liaison. TIVA veterans Lisa Laden, Rachel Targoff and newcomer  Arron Shirley are all very excited to be helping with the programming committee. Rachel also heads up the Peer Promise at the Peer Awards. And last but never least, Colin Sandy as the sponsorship chair to help build relations between TIVA and other Washington, D.C. organizations.

The Old with the New

Ten-year veteran Anne Schwab handles all volunteer activities, as well as the income and new memberships from events. She is often the photographer at meetings and spearheads events like the Christmas Party. Anne Hall continues as treasurer working with the accountants; Darryl Diamond continues as the TIVA webmaster; James Thompson as seminar leader. Finally Matt Harmelin acts as the social media master keeping TIVA current on channels like Twitter, Facebook and LinkedIn. The board looks forward to a year of excellent programming as well as a cooperative relationship with sponsors such as Word Wizards Inc, Docs In Progress, Duo Media Productions and Creative Management Services among others.

For more about TIVA board members, check out the official TIVA Website. http://www.tivadc.org/




TIVA Talks: Program Finishing

TIVA_FirstThursdays_Mktg

 TIVA recently presented an incredibly informative panel at Henninger Media Services  that was all about program finishing, a vital part of any film or video production. While a plethora of topics were discussed, they mainly centered around the areas of color correction, conversions, captioning, audio, delivery formats and disc authoring. The panel, consisting of Henninger employees, included Senior Editor Joe Bridgers, Colorist Loren Masheter, Audio Engineer Bob Bass, Core and Standard Conversions team member Chuck Adams, and Ari Zagnit, who talked about compression. It was a successful event that attracted members from all aspects of the video production community who packed the space and asked some great questions.

Editing And Frame Rates

One of the major topics that came up was frame rates, specifically 30 fps vs. 23.98 fps and which one was ultimately better depending on the project and how it’s going to be exhibited or shown to the public. Joe Bridgers  shared his thoughts that 23.98 was better for projects that will be shown at festivals or places out of the country and out of the main stream light. 30 fps, on the other hand, is much more ideal for mainstream distribution and the panel highly advised filmmakers to give Henninger a call at the beginning of a project to help them get started. One of the best pieces of advice that came from the panel was when planning a project to start at the very end and proceed to work your way backwards. This will help you plan out which frame rates to use and what details your project needs so you can know what resources to have on hand.  A great question came when someone asked what they should do if they have a mixed timeline (a timeline that has both types of frame rates in it). The answer was to figure out what your final frame rate version should be and use spot conversion to make sure your time line has one single frame rate.

Color Correction

One of the last and most vital steps in the editing process is color correction, which ensures that your work has the best look and colors possible. One thing that Loren Masheter stressed during the panel was to be very careful with your color lookup table. It’s a great tool for taking an image on a camera monitor and adding color correction elements so you and the client can get an idea of what the final image will look like. However, when you send it to a place like Henninger to be color corrected, you may want to make sure the table is not on as many color correctors use bandwidth to make adjustments. If the table is on, the bandwidth will have some trouble making adjustments since the original colors have been changed. So when you send in work to be color corrected, make sure it’s stripped down with the table off. As far as equipment goes, a series of monitors that the crew at Henninger really likes working with are the ones made by Flanders Scientific. While these can be fairly pricey, they are very much beloved for their quality and  incredibly sharp displays. A stand-out piece of software that was praised for its ease of use and value was Blackmagic Design DaVinci Resolve Software. 

Converting and Sound

One of Chuck Adams’ favorite series of converters that is extremely capable and efficient at converting frame rates are those made by Snell and Wilcox with one of his favorites being the Alchemist.  One of the converting issues to look out for when working on video is when you try to up convert a 23.98 frame rate and the image becomes softer looking. Additionally, two frames can become blended together, creating a dissolve look in your film which would appear instead of the cut you’re trying to achieve. The Alchemist is incredibly capable of separating the two cuts so you don’t get that annoying blending effect.

The conversation then turned to Bob Bass who discussed audio mixing and the most ideal conditions for it. While you obviously want to have either a lavaliere or boom mic for audio, boom mics tend to be a bit better because they won’t pick up sounds such as clothing rustling the same way a lavaliere does. If you do end up with multiple audio sources on a track, leave them both on the track for the mixer. However, try to have the “talking heads” audio closer to the video tracks and the music further down. As far some good mics to use, one that came up was the Sennheiser MKH 416 Boom Mike, which was touted for its adaptability.

Disc Authoring

The evening ended on the subject of Disc Authoring and the best delivery practices to ensure a problem free ending to your project. The biggest tip was to have your work be as clean as possible before final compression so you don’t encounter any trouble. As far as formats go, Blu-ray was more adapt at handling compression but can be a bit more demanding since it’s made for higher quality work. DVDs on the other hand are considered a universal format and can handle a much greater variety of work. While 1080p will look fantastic on a DVD, you don’t have that high a resolution on DVD formats as it handles most of them quite well. A useful and simple tip is at the very beginning of the project, decide what format you’re going to be utilizing so you can plan everything accordingly. If you’re going to be sending out work online, the best way to send it is via an H264 Codec MP file since its a versatile codec that can be easily embedded.

While I’ve tried to cover as much of the panel as possible, there was just so much covered that I couldn’t get every little detail. But hopefully you were able to get a good tip or two from this recap.

 

 

 

 

 




Importance of the Peers

Peer Awards

Honors in the DC video production community don’t get much bigger than the annual TIVA Peer Awards. These awards, which have been around since 1997, pay tribute to excellence in local media and are one of the most sought-after awards in the area. Every November the TIVA community comes together at the National Press Club to give out this honor in a variety of different categories. Some of the categories include best independent short, best music video, best documentary and best children’s program. This year brings the addition of a few new categories, such as government production, foreign language  and for one year only, a special Docs in Progress category, proudly sponsored by Word Wizards Inc. The winner will receive a $500 cash prize.

The Peer Promise Competition

Since TIVA recognizes that it’s important to help pave the way for the next generation of great film and media makers, it created the Peer Promise Competition. This special category is the high school component of the Peer Awards, where students are invited to enter their individual or class media projects in film and video. These projects are then judged on the basis of their creativity while being compared to other schools in the DC, Virginia and Maryland region. These students may be awarded a certificate of merit for their work, or even be chosen as one of three regional finalists who are invited to the awards with the winner receiving a gold award while the other receive a silver and a bronze. The best thing about the Peer Promise competition is that its absolutely free to enter, so there is absolutely no reason for future filmmakers not to put their best work forward.
Peer Awards2

Backstory and Details

The awards were started by the former Washington Film and Video Council way back in 1997 before merging with the ITVA-DC Video Festival. The three levels of awards for each category are silver, bronze and gold. The gold winner receives a trophy to take home while silver and bronze winners receive a foil-embossed certificate and the option to order a trophy if they wish. While the early-bird deadline for submission just ended, there’s still plenty of time for film and video makers to get their work in by the regular deadline of June 30th. Entries will still be accepted up to July 31, but a late fee will apply. The full list of entrance prices and fees can be found on the awards Q&A page. Video professionals can register on the online portal. There is a two-year eligibility window for entries: this year the window is between June 30, 2011 and June 30, 2013.

 A Community Comes Together

As someone who has volunteered to help at the past two peer award ceremonies, I can honestly say it is a truly memorable evening. It is one of the few times a year that the DC Metro Area production community comes together to really celebrate one another. Everyone is there supporting the impressive body of work on display, and to win of course, in a very sympathetic and celebratory atmosphere. Its a time for people to reconnect with each other and catch up about their lives, as well as past and future projects. Of course the awards themselves are special since its the DC film-and-video community congratulating their best and brightest. The fact that peers and fellow media/production professionals are the ones voting makes these awards incredibly unique and personal.

 

 

 




TIVA’s Contract Panel

 

tiva banner

On Wednesday night TIVA, the Television, Internet and Video Association, held a panel at Video Labs focusing on contracts and specifically how they pertain to the video production business. While contracts are something that most of us in the media and video industry are something most of us don’t like to think about, they are still a vital part of production houses, transcription companies and other media organizations. The  three  panelists at the event were Jim Pennington, Pam Jacebson and Nancy Prager who were incredibly open about sharing their collective knowledge. Some of the main topics covered were line costs, appearance and location releases and confidentiality agreements. Check out the panelists below for some information on them as well as their main points for the panel.

jim pennington headshot

Jim Pennington, Co-Owner and Business Director at DUO Media Productions

 http://www.duomediaproductions.com/team

As business director, he leads all marketing and proposal efforts, and when projects are awarded, he prepares the letters of agreement (LOAs), personal and location releases, crew and talent agreements, and other contractual documents.  As producer, he provides executive oversight for all aspects of a video project and ensures the project is completed on time, on budget, and to the client’s complete satisfaction. As a writer, he works closely with clients, developing the concept for their videos and the subsequent treatment/script.

Line Costs – Clarity is Key!!! When Jim prepares letters of agreement for clients, he always makes sure are absolutely as clear as possible. One prime example of this would be with Line Costs and how he breaks them down for each project. While many companies would simply list one large sum for the entire project, Jim and Duo Media Productions actually break each individual cost line by line for the project. This way, there’s no miscommunication about whats being covered and the other party can feel comfortable knowing the exact cost of everything. As he says, it’s practices like this that ensures that his company always delivers on their work.

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Pam Jacobsen, Freelance production Manager & Line Producer

http://www.linkedin.com/pub/pam-jacobson/11/856/8b7

Pam has been in the business for almost 20 years working for an impressive lists of companies that include Discovery Communications, Sirens Media and National Geographic Television amongst others. Her responsibilities have included managing all aspects of production operations, balancing a wide range of budgets from the hundred thousands to the millions and negotiating contract compliance and production units. Additionally she has experience advising business units on contingency fund requests, negotiating facilities, assesing deal visibility and supervising milestone payments.

Location and Person Releases – Go with your Gut!! If you have a person or people in the background for a few quick seconds and they are not really identifiable, they are most likely not worth trying to get releases from. However say you’re using a wide lens and a group of people are directly in the foreground with visible faces, then it would be in you’re best interests to get them to sign releases. As Pam stressed, the best idea is to really just go with you’re gut on what you think should be done. She gave similar advice on location releases, saying that if a building is directly in a shot or being used as a shoot location than you need to get a location release from some one authorized to sign such a document. Try to get a release from building management and double check to guarantee that the individual singing it does have the proper authorization.

headshot-150x150

Nancy Prager, Esq., Entertainment/Arts Attorney

http://www.pragerlaw.us/

I represent a wide range of clients on matters ranging from intellectual property licensing to estate planning.  Though I am now based in Washington, D.C., I have practiced with firms in Memphis and Atlanta.  Additionally, I have served as a business development consultant to technology companies in both the telecommunications and intelligence sectors. I have addressed the convergence of intellectual property, technology and the creative industries to a variety of audiences including at conferences like SXSW and in publications like news.com.

Confidentiality Agreements – Read before you Write!!! As Nancy astutely pointed out Confidentiality Agreements, often reserved for those doing government work, have started cropping up in the private sector of the media business as well. While these agreements are usually a means to insure that the work involved stays private, the information can sometimes be used against the person who signed them. Make sure to carefully scan through any document you’re asked to sign and especially try to “read in between” the lines to see what information you’re agreeing to. Unfortunately, if someone is not familiar with the language it’s very easy for them to get tripped up. Another good point she had was that today, signing you’re name on an e-mail now counts as a legal signature which is something to be very mindful of.

 

 

 

 

 

 

 

 

 




Getting Started in your Media Career

 

Ready set go

Last night at American Universities School of Communications,  several media professionals gathered with TIVA to give out

some very valuable information about how to get your foot in the media industry whether your a college student or a seasoned professional

looking to switch careers. The panelists included:

 

Jason Villemez, Production Assistant at PBS Newshour

http://www.linkedin.com/pub/jason-villemez/10/a27/594

Kristen Edgell, Marketing Assistant at National Geographic

http://www.linkedin.com/pub/kristen-edgell/31/13b/b88

Laura Mateus, Campus Recruiter at Discovery Communications

http://www.zoominfo.com/#!search/profile/person?personId=1770693696&targetid=profile

Julia Beyer, Career Advisor for SOC Students

http://www.american.edu/profiles/staff/juliab.cfm

 

A variety of issues were discussed which included networking, resumes,

social media and linkedin, age and experience, reaching out and internships.

 

 

  • Networking, As Kristen pointed out networking is very much the name of the game. She very smartly made time to talk to every person she worked with, grabbing a cup of coffee and picking their brains. After these meetings she would inquire about other contacts that person might have that would be a good fit for her to talk to and then sought out those individuals. Another point that all the panelists agreed on was the value of a mentor and really getting to know an individual who will work with you and even advocate on your behalf.  Also, its key to stay in touch with those connections you make and to stay on their radar. They might be looking to fill a spot in an afternoon and if you stay fresh on their radar, you may just be getting that call.

 

  • Internships, the panel unanimously agreed that having at least one internship college is a great way to get some real world work skills outside of the classroom. Make sure that you really assert yourself in the role trying to learn as much as possible about the work your doing and present yourself well. Employers and companies respond well to someone who is eager to learn and want additional responsibilities instead of that person who’s just waiting to go. Many internships are now paying but even those that aren’t are still a valuable way for people to focus on their interests by getting to practice them in an adult setting.

 

  • Social Media, Obviously this is a huge facet of the media and business worlds and will only continue to grow. The best social media to present in terms of professionalism is Linkedin. The panelists all agreed that not only is it the preferred way to present yourself to new business contacts, its a great way to scout out potential employers and new relationships as well. A surprising note came from Laura who pointed that just because someone’s young and of the “plugged in” generation, that’s not a guarantee that they themselves are tech savvy or fluent in the art of social media. Twitter and facebook are also good venues to reach out to contacts, just be weary of  what they may see when they look at your profile. It’s smart to put your website and social media links under the header of your resume to show just how connected and tech able you are.

 

  • Resumes, one of the most important topics discussed was resumes and presentation. As Julia reminded everyone,  the basic look for a resume should be a header with your name, address, contact info and any links to your website or social media. This should be followed by education and most recent or appropriate work depending on the job your applying for. After this should come other work experiences and then your skills.  Unless you have more than ten years experience in the field, resume length should be one page. Grammar, punctation and spelling are also key since many people overlook these and will send resumes carelessly riddled with such mistakes. Also don’t put things that aren’t true, if your not familiar with software or a technical skill don’t put it on your resume. You may be questioned about it during your interview and not knowing anything will immediately make you look unprofessional.

 

  • Age and Media as a second career, Jason pointed out that in his position as a production assistant, one of his duties is to review candidates for internships and job openings. While there are the typical college students and recent graduates in that mix, Jason is also seeing lots of people in their late 20’s, 30’s and some who are doctors or lawyers looking to switch careers and that’s not a bad thing. Jason, who himself started in his job at the age of 27, says age is not an issue and what really matters is the desire to work your way up from the bottom. As long as the drive, willingness to learn, punctuality and professionalism are present, than people will notice your hard work and take you very seriously.

 

 

A huge thank you to the School of Communications for hosting this event and to TIVA for holding it.
SOC
TIVA
Further highlights of the event will soon be up on TIVA’s website at http://www.tivadc.org/



Trade Show – GV Expo 2012 / GovComm12 Exhibition Recap

As expected, The 2012 Government Video Expo was an all out success. The exhibition floor was teeming with top of the line tech and the biggest names pulled out all the stops to showcase the latest and greatest. I took a little time to document some of the stuff that caught my eye, so lets take a look!

This way to The Government Video Expo!

Video Technology Recap – All Systems Go

The main focus of any GV Expo is the video gear. This year it seemed that the big boys were in a battle for showroom floor supremacy.

Digital Video Group at The 2012 GV Expo
Digital Video Group, Inc.

Digital Video Group had one of the most extensive and impressive displays at the expo. Top of the line camera systems, screens, and control surfaces were shown off in style. Conference attendees really got a good show at DVG’s booth this year, with hands on displays and a team of friendly trade show experts to demonstrate the goods.

Next lets check out the battle of the touchscreens!

Aurora vs. AMX, battle for touch sreen dominance!
Aurora (Left Front) – AMX (Back Right)

Makers of high end touchscreen systems Aurora and AMX went head to head this year at GV Expo 2012. Squaring off with opposing booths right at the entrance to the expo, the two tech titans seemed to be competing for the biggest display at The 2012 GV Expo. I think both exhibits were equal in size, but each company took a unique approach. Aurora went with an in-your-face but clean and clear 4 sided display, while AMX decided to create a spacy enclosure to show off their tech. These booths defiantly saw a lot of action this year, and you can see why!

Now lets look at another cool display, this time from Crestron.

Crestron display showed off their top of the line switchers, converters and netowrking solutions.
Crestron

Crestron decided to show off their high end collaboration systems this year at GV Expo 2012. After reviewing their company online, I am amazed at how many high tech solution this company has a hand in. From HDMI switchers, to video converters, Crestron is delivering some surreal tech these days. This particular display caught my eye for its clean combination of friendly service and easy to read documentation. Maybe I am a nerd but networking systems for real time video collaboration is just plain cool!

Now that we have covered the big show, I want to highlight a very cool vendor, BWC Visual Technology, that grabbed my attention this year.

BWC Visual Technology demonstratic their new spherical displays!
Spherical display screens!

Nerd alert, I find this vendor very cool just because they are doing something different. BWC Visual Technology was showcasing their impressive spherical display system. Basically you can integrate a 3D esque spherical display into any regular display system. Their demo in the background showed a flat image of the expo, with a super-imposed 3D sphere showing a data driven display of water temperatures of planet Earth’s Oceans in real time. Sweet…

*Note* I would have privided a link to BWC’s website but I could not find it! All I can offer is this link to their GovComm12 Registration page.

Audio Tech: New Gear From Info Comm

The partnership with InfoComm and GovComm brought much more sound gear to this year’s GV Expo. That means sound tech’s like myself were thrilled to go explore some of the premium gear that we all dream of playing with but can’t afford. Of course there was lots of focus on microphone systems for field use, as well as wireless systems, streaming devices and much more.

I was glad to see a both with plenty of reps from Audio Technica, a new addition to The GV Expo this year.

Audio technica Shows off their gear at the 2012 GV Expo.
Mic Check!

TIVA-DC: Another Great Membership Drive

One of the ways Word Wizards contributes to TIVA-DC as a sponsor is by helping out every year at The GV Expo. This year TIVA-DC signed up 220 new and returning members at the booth! The GV Expo is one of TIVA-DC’s best opportunities to showcase ourselves to the DC video and media services community. Each year at the expo, TIVA-DC offers a half price membership drive for people who come and sign up in person.

TIVA-DC in full swing at this year's GV expo.
TIVA-DC gets the boogey on! (Can you spot Word Wizards CEO Scott Gordon in this photo?)

TIVA also hold a raffle every day at the Expo and gives away a bunch of cool prizes. One of our contributions was two $50 gift cards to Olazzo, a delicious Italian Restaurant located in Bethesda and Silver Spring Maryland. Other prizes included hats, TIVA swag, and USB thumb drives.

Entrance to the 2012 GV Expo

I think that’s about enough for this article, stay tuned for a recap of the best speakers and presentations of the GV Expo. Make sure to leave us a comment if you enjoyed this post. Also, sign up for our newsletter to receive our best blog posts every month. Have a great weekend everyone!




Government Video Expo 2012 – Behind The Scenes First Look

GV Expo 2012 Banner with this year's sponsors

The time has come to take a first look at this year’s Government Video Expo (G.V. Expo) hosted at The Washington Convention Center from November 27th – 29th. It looks like this year is going to be bigger and better than ever before, thanks to a co-location deal between The GV Expo and GovComm 12. The G.V. Expo 2012 will be the largest professional video and AV/IT event of the year on the East Cost, lets take a look at what to expect.

The Big Show – Working Together

What happens when the two largest government video trade shows decide to host their events in the same place at the same time? Well, you get something that looks like The G.V. Expo 2012. This year G.V. Expo and GovComm are teaming up to deliver one spectacular showcase of technology. Exhibitors from all over the globe will soon be descending on The Washington D.C. convention center to demonstrate the latest technology and techniques of their industry.For years there was a slight rivalry between the two conferences. Now, the former competitors have teamed up for the sake of delivering a better experience for everyone.

Dog helps cat raid the refrigerator, now thats teamwork!. Speaking of teamwork, did you know that GV Expo and GovComm have team up this year! Check out the article for more details.

G.V. Expo 2012 – Events and Breakdown

Logo for the 2012 GV Expo

The “traditional” G.V. expo has a lot going on this year as usual. There will be many workshops, break out sessions, panels, and presentations to educate people about all aspects of the video production industry. There is so much good stuff to see, I can’t possibly cover it all in this post. If you want a full schedule of special events check out this webpage. TIVA-DC will be sponsoring the event and is hosting another Meet The Government Producers panel where people can learn what goes into the buying process for government video producers. TIVA-DC will also be hosting our annual membership drive where conference attendees can sign up for TIVA-DC at 50% off.

In addition to the usual suspects, the “traditional” G.V. Expo is hosting 2 special sub-conferences this year, in addition to its normal exhibitions and special presenters. The first I want to highlight is the Pro Media Conference. Here is the description from The G.V. Expo website:

The Pro Media Conference takes place within Government Video Expo and is designed to educate, motivate and engage professionals working in media and entertainment, video and audio production, internet and mobile video, AV, government, corporate video environments, and IT. Through a series of papers, presentations and case studies, PMC gives media professionals access to the information and technology that will allow them to create, manage, monetize, and deliver compelling content… for all video applications, across all platforms and for all customers.

If you want to check out all of the events of The PMC visit this webpage.

The next sub-conference to take a look at is The Digital Media DC Conference. Here is how the G.V. Expo website describes it:

“The Digital Media DC conference is DC’s leading training event for professionals in the TV, video, film, motion graphics and New Media industries. Now in its eighth year, DMDC offers 3 days of sessions in 4 parallel tracks focusing on the latest techniques and practices for editors, motion graphics designers, new media professionals and video producers. DMDC is produced by Future Media Concepts, the nation’s leading training organization and features the world’s best Certified Instructors, award-winning editors, authors and power users. With a full pass, attendees may move freely between all the tracks and attend sessions of their choice.”

Take a look at the events scheduled for The DMDC by clicking here.

GovComm 12

The Entrance to GovComm 11

GovComm is owned and produced by InfoComm the leading non-profit association serving the professional AV communications industry worldwide. GovComm has teamed up with G.V. Expo this year and will be hosting their own schedule of events throughout the week. GovComm will be hosting additional exhibitors from all over the AV industry spectrum. Take a look at this short YouTube Video about GovComm 12.

For more about GovComm 12 visit their website by clicking here.

Following The Multi-Media Frenzy

As always, our team will be helping out at the TIVA-DC booth getting people signed up and giving out prizes at the raffle. Come by and say hello if you are going to be there. There is still time to register if you have not yet got your tickets so don’t feel like your time is up. If you want to get the full scoop on the G.V. Expo 2012, but can’t attend, check back here next week for a full recap of the event with technology spotlights, speaker summaries, and an overall showcase of this audio / video industry extravaganza.

If you want to check out our coverage of The G.V Expo 2011 click here!

See you on the Exhibition floor!




TIVA-DC Peer Awards 2012: Hosted by Arch Campbell

Roll out the red carpet, the time has come for The 2012 TIVA-DC Peer Awards. Word Wizards Inc. has been a proud sponsor of TIVA-DC for over 15 years and we are happy to continue our support at this year’s Peer Awards. The stage is set for a media industry extravaganza, all in the spirit of honoring the best video projects of 2012. There will be laughs, tears, celebrities, and most importantly, there will be winners and losers. The Peer Awards will be held this Saturday, November 17th, and will be hosted at The National Press Club in D.C.

The National Press Club Ballroom

Host With The Most: Arch Campbell

Local celebrity and news media legend, Arch Campbell, has graciously agreed to host this years event. Mr. Campbell last hosted the Peer Awards in 2004 and has agreed to come out of award show host retirement for one last Peer Performance. Arch currently hosts “The Arch Campbell Show” on ABC News Channel 8 and is currently the entertainment reporter for ABC News Channel 7. Boasting a career in news media that spans over 35 years, Arch Campbell is the perfect man for the job, and we look forward to his upcoming role as the irreverent Peer Awards 2012 MC.

Arch Campbell

A Night of Many Talents

TIVA members from all across the region have submitted their best work in an attempt to take home a coveted Gold Peer Award. The categories range all across the video production spectrum. Winning Peer Award glory is a very special honor in our community, and we look forward to seeing all the entries and watching the proverbial cream rise to the top. Rumor has it that there will be more than just awards to entertain us this year, with some much needed comedic commentary by one of our most beloved TIVA-DC members.

Glitz, Glam, and Food

The Red Carpet is gunna' roll!

The 2012 Peer Awards are set to be a night to remember. Last year I was blown away by the winners, the presentations, and the amazing spread of food and desert. Check out my article form last year if you want a quick look at The 2011 Peer Awards. I know this year will be just as delicious! Thanks to all of our friends at TIVA-DC who work their tails off to organize and put on this wonderful event. So make sure to join us this year if you can. If not, check back to our blog next week for our recap of the night.